This section gathers essays that explore the ideas underlying the practice, approaching cultivated plants as carriers of ecological and cultural memory.
The texts articulate the studio’s conceptual ground rather than comment on individual works. Together, they form an expanding body of thought shaped through attention, material process, cultivation, and time.
One plant holding another
Linen is not a neutral surface but a plant-derived cloth that holds the trace of another plant, bringing vegetal matter into direct continuity with vegetal life. Pigment settles into fibre, and the image emerges from within the material rather than resting on it.